THE PHENOMENON OF FANTASY: HOW THE GENRE BECAME ONE OF THE PILLARS OF MODERN CULTURE

Authors

DOI:

https://doi.org/10.34680/EISCRT-2024-4(9)-248-283

Keywords:

Fantasy, literature, visualization, computer games, music, mass culture, cultural approach, syncretism, modern culture

Abstract

In the 20th century, a new artistic genre, fantasy, separated from science fiction and gained independence. Many cultural figures began to turn to the aesthetic ideals of antiquity, the Middle Ages and the European Renaissance, which, in turn, became a synthetic ideological basis for the formation of a new genre. This article analyzes the specifics of the fantasy genre and its place in modern mass culture. The main paths of development of the fantasy genre from the early 20th century to the early 21st century are defined and analyzed, which combines the syncretism of traditional trends of the aristocratic epic, historical novel and folklore. Scenarios for the transformation of modern fantasy industries into a tool for proclaiming, visualizing and studying complex themes of morality and identity are also explored. The genre fully reflects the palette of modern socio-cultural problems, and its global popularity largely contributes to intercultural exchange. Of particular interest are works that have a literary source and subsequent adaptation (film, video game), using which their artistic dynamics can be traced. The results of the study offer new views on modern intercultural interaction. A comprehensive cultural approach to the study of fantasy allows us to go beyond the narrow framework of such an art form as literature and trace its active and successful expansion into various spheres of culture: cinema, anime and computer games.

 

For citation:
Lenkov, P. D., & Shemonaev, E. A. (2024). The phenomenon of fantasy: how the genre became one of the pillars of modern culture. Experience industries. Socio-Cultural Research Technologies (EISCRT), 4 (9), 248-283. (In Russ.). https://doi.org/10.34680/EISCRT-2024-4(9)-248-283

Downloads

Download data is not yet available.

Author Biographies

Pavel Lenkov, Herzen State Pedagogical University, St. Petersburg, Russia

Candidate of Historical Sciences, Associate Professor, Associate Professor of the Department of History of Religions and Theology
e-mail: p-lenkov@yandex.ru

 

Egor Shemonaev, Herzen State Pedagogical University, St. Petersburg, Russia

Graduate student of the Department of Theory and History of Culture
e-mail: egorshemonaev@yandex.ru

 

References

Alekseev, S. V. (2013). Fentezi [Fantasy]. Znanie. Ponimanie. Umenie [Knowledge. Perception. Art], 2, 309–312. (In Russ).

Anisimova, A. L. (2024). Vzaimosviaz' kinozhurnalistiki i PR v formirovanii informatsionnoi povestki (na primere prodvizheniia seriala «Korol' i Shut» servisom «Kinopoisk»). Industrii vpechatlenii. Tekhnologii sotsiokul'turnykh issledovanii (EISCRT) [Experience industries. Socio-Cultural Research Technologies (EISCRT)], 1 (6), 167-196. (In Russ). https://doi.org/10.34680/EISCRT-2024-1(6)-167-196

Bakhtin, M. M. (1975). Formy vremeni i khronotopa v romane [The forms of time and chronotope in the novel]. In Bakhtin, M. M. Voprosy literatury i estetiki [Bakhtin M. M. Questions of literature and aesthetics] (pp. 234–407). Moscow: Artistic literature Publ. (In Russ).

Gogoleva, S. A. (2006). Drugie miry: traditsii i tipologiia zhanra fentezi [Other Worlds: Traditions and typology of the fantasy genre]. Nauka i obrazovanie [Science and education], 3, 85–88. (In Russ).

Gopman, V. L. (2001). Fentezi [Fantasy]. In Literaturnaia entsiklopediia terminov i poniatii [The literary Encyclopedia of terms and concepts] (pp. 1161-1164). Moscow: NPK «Intelvak» Publ. (In Russ).

Kempbell, Dzh. (1997). Tysiachelikii geroi [The Thousand-faced Hero]. Moscow: REFL-buk Publ.; Kiev: AST Publ. (In Russ).

Kharitonova, E. R., & Gusarova, S. V. (2021). Istoriia i budushchee zhanra fentezi [The history and future of the fantasy genre]. In Sovremennye aspekty nauchnykh issledovanii: Sbornik nauchnykh statei po materialam Vserossiiskoi konferentsii v ramkakh provedeniia XKhI nauchno-prakticheskikh chtenii, posviashchennykh pamiati filosofa i obshchestvennogo deiatelia A. N. Radishcheva, Maloiaroslavets, 23 maia 2021 goda [Modern aspects of scientific research: A collection of scientific articles based on the materials of the All-Russian conference within the framework of the XXI scientific and practical readings dedicated to the memory of the philosopher and public figure A. N. Radishchev, Maloyaroslavets, May 23, 2021] (pp. 199-205). Maloyaroslavets: Moscow University of Finance and Law Publ. (In Russ).

Maklakov, I. A. (2013). Spetsificheskie osobennosti zhanra fentezi v tvorchestve D. Tolkina [Special features of the fantasy genre in the works of D. Tolkien]. Politematicheskii setevoi elektronnyi nauchnyi zhurnal Kubanskogo gosudarstvennogo agrarnogo universiteta [Polythematic online electronic scientific journal of Kuban State Agrarian University], 87, 758–769. (In Russ).

Monchakovskaia, O. S. (2008). Fenomen fentezi i kriterii otsenki zhanra v epokhu postmoderna [The phenomenon of fantasy and criteria for evaluating the genre in the postmodern era]. Problemy istorii, filologii, kul'tury [Problems of history, philology, culture], 19, 342–349. (In Russ).

Myl'nikov, D. Iu. (2023). Zhanr fentezi v zarubezhnom i rossiiskom kino [Fantasy genre in foreign and Russian cinema]. Problemy zhanroobrazovaniia [Problems of genre formation], 104–138. (In Russ).

Rychkov, K. N. (2013). Muzyka v sovremennom kommercheskom kinematografe SShA (problemy istorii i teorii) [Avtoreferat kandidatskoi dissertatsii] [Music in modern commercial cinema in the USA (problems of history and theory) [Abstract of the PhD thesis]]. Moscow. (In Russ).

Sapkovskii, A. (2002). Net zolota v serykh gorakh; Mir korolia Artura; Kriticheskie stat'i; Bestiarii [Pure Gold in the Grey Mountains; The World of King Arthur; Critical articles; Bestiaries]. Moscow: AST Publ. (In Russ).

Shikhalieva, N. V. (2019). Dekonstruktsiia fentezi: RPG kak optimal'nyi format ekranizatsii "sagi o Ved'make" A. Sapkovskogo [Fantasy construction: RPG as the optimal format for the film adaptation of the "Witch Saga" by A. Sapkovsky]. Kino. Rech'. Kul'tura: Materialy Mezhdunarodnoi studencheskogo foruma, Sankt-Peterburg, 25–26 maia 2018 goda [Movie. Speech. Culture: Materials of the International Student Forum, St. Petersburg, May 25-26, 2018] (pp. 118-123). Saint-Petersburg: St. Petersburg State Institute of Film and Television Publ. (In Russ).

Shteinman, M. (2020). «Fentezi – eto zerkalo real'nosti, v kotoroi my nakhodimsia» ["Fantasy is a mirror of the reality I find myself in"]. LiveLib. Available at: https://clck.ru/3ED5H6 (accessed: 15.03.2023). (In Russ).

Tolkin, Dzh. P. R. (2002). Vlastelin Kolets: Trilogiia [The Lord of the Rings: The Trilogy]. Moscow: EKSMO Publ. (In Russ).

Tolkin, Dzh. R. R. (1992). O volshebnykh skazkakh [About fairy tales]. In Tolkin, Dzh. R. R. Volshebnye istorii [Magic stories] (pp. 103-160). Khabarovsk: Amur. (In Russ).

Published

2024-10-15

How to Cite

Lenkov, P., & Shemonaev, E. (2024). THE PHENOMENON OF FANTASY: HOW THE GENRE BECAME ONE OF THE PILLARS OF MODERN CULTURE. Experience Industries. Socio-Cultural Research Technologies, (4 (9), 2024), 248–283. https://doi.org/10.34680/EISCRT-2024-4(9)-248-283