THE CATCHER IN THE RYE STYLE DUEL: METAMODERNIST STRATEGIES OF THE SERIES "BLACK SPRING"

Authors

DOI:

https://doi.org/10.34680/EISCRT-2023-4(5)-114-134

Keywords:

literature, cinema, modern Russian serials, duel, metamodernism, semiosphere

Abstract

The present moment in art is marked by the transition to a new key concept of development, defined by researchers as "metamodernism". This concept suggests a dichotomy of many features of modernity and postmodernity. Art, developing in the key of metamodernism, enters the space of semiotic dialogue with what was before it, and produces a reconstruction procedure. At the same time, within the framework of the collision of the incomparable at first glance, a special tension and “depth similarity” arise. This happens, for example, in the modern series «Black Spring», where the author of the article traces connections of many difficult-to-connect themes, such as: duel ethics and modernity, neo-romanticism and brutality, irony, heroes copied from literary characters or from the heroes of other movies. The article attempts to semantic analysis of images of the series for a better understanding of nature of metamodernism.

 

For citation:
Kolomeytseva, E. B. (2023). The catcher in the rye style duel: metamodernist strategies of the series "Black spring". Experience industries. Socio-Cultural Research Technologies (EISCRT), 4 (5), 114-134. (In Russ). https://doi.org/10.34680/EISCRT-2023-4(5)-114-134

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Author Biography

Ekaterina Kolomeytseva, Herzen State Pedagogical University, St. Petersburg, Russia

Candidate of Philology, Associate Professor, Department of Intensive Teaching of Russian as a Foreign Language
e-mail: tillyriddle@yandex.ru

 

References

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Published

2023-11-01

How to Cite

Kolomeytseva, E. (2023). THE CATCHER IN THE RYE STYLE DUEL: METAMODERNIST STRATEGIES OF THE SERIES "BLACK SPRING". Experience Industries. Socio-Cultural Research Technologies, (4 (5), 2023), 114–134. https://doi.org/10.34680/EISCRT-2023-4(5)-114-134