THREE RUSSIAN CHUCK AND HUCK HAPPINESSES: COMPARISON OF BOOK AND CINEMATIC TEXTS IN INTERIORS OF HISTORICAL ERAS

Authors

DOI:

https://doi.org/10.34680/EISCRT-2025-1(10)-120-145

Keywords:

happiness, reinterpretation, artistic text, cinematic text, Arkady Gaidar, Chuk and Geck, film adaptation, social mythology, children's literature

Abstract

The article analyzes the social mythology of happiness in different eras based on Arkady Gaidar's short story "Chuck and Geck" (1939) and two film adaptations of the same text, dating from 1953 and 2022. The variability of the concept of happiness is shown depending on the historical context: the 1930s; the post-war decade in the USSR; modern Russia. It is stated that the analysis of the mythology of happiness is significantly complicated by the age category of the potential reader of Gaidar's works: the book belongs to children's literature. The Soviet child (both the hero of the story and the reader of the Gaidar text) perceives the moral issues of the text and assimilates its didactic aspect, perceives the same pragmatics of the text. The article illustrates the multilayered specificity of Gaidar's stories, his openness to several contextual interpretations at the same time. In this regard, the study highlights the importance of the historical and social environment that influenced the basic axiological structure of the narrative. The author turns to intermediate and comparative methods to compare the original 1939 story and the two film adaptations.

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Author Biographies

Natalya Saenko, Moscow Polytechnic University, Moscow, Russia

Doctor of Philosophy, Professor of the Department of Humanities
e-mail: rilke@list.ru

Sergey Grigoriev, Russian State Agrarian University – Timiryazev Moscow Agricultural Academy, Moscow, Russia

Doctor of Philosophy, Associate Professor of the Department of Philosophy
e-mail: grigoryevdiss@gmail.com

 

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Published

2025-03-26

How to Cite

Saenko, N., & Grigoriev, S. (2025). THREE RUSSIAN CHUCK AND HUCK HAPPINESSES: COMPARISON OF BOOK AND CINEMATIC TEXTS IN INTERIORS OF HISTORICAL ERAS. Experience Industries. Socio-Cultural Research Technologies, (1 (10), 2025), 120–145. https://doi.org/10.34680/EISCRT-2025-1(10)-120-145